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I sold out Apollo Theatre before Burna Boy – Sarkodie

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During his ‘History In The Making’ gigs in New York, rapper Sarkodie claims to have sold out the Apollo Theatre in front of several African acts.

Ghanaians, he claims, don’t appreciate and cherish own memories sufficiently, so they spend their time focused on the accomplishments of others — a gesture he sees as threatening to the music industry’s progress.

In an interview with Daybreak Hitz, the rapper, who recently released his ‘No Pressure’ album, said he sold out the Apollo Theatre in 2015 before Nigeria’s Burna Boy, but Ghanaians don’t remember such things.

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“We must seize and hang on to our opportunity. We do well, yet we prefer to compare ourselves to other countries. I recall selling out the Apollo Theatre, but according to BET, Burna Boy was the first Afrobeat musician to do so… Sarkodie told Andy Dosty, “So I accomplished it before him.”

“When Beyonce’s album was out, many websites claimed Burna Boy, Wizkid, and others… So, have a look at my tweet… I mentioned Shatta Wale and other amazing musicians… My main [priority] is my Ghanaian people… I appreciate my Nigerian artists, but my top [priority] is my Nigerian people… That way, you can readily capture people’s attention,” he explained.

Ghanaians, according to Sarkodie, should ponder on highlighting their major moments in the music field so that the rest of the world can catch up with them.

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Sarkodie’s headline event, billed “History in the Making,” at New York’s Apollo Theater on August 8, 2015, was sold out.

To reward his followers for showing up in such large numbers, he created an official video called Sark Nation, in which he rapped over footage from the show.

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Happy 45th Birthday, Emperor T-Jiga, A Celebration of Culture, Teaching and Sound

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Today we raise a drumstick to Theophilus Nii Martey better known to fans as Emperor T-Jiga as he marks his 45th birthday. A Jamestown, Accra native who has built a powerful career in the United States, T-Jiga is a performer, band leader, recording artist, educator and cultural ambassador whose work spans West African drumming, hiplife/afropop songwriting and community arts education.

Born and raised in Accra, Martey moved to the U.S. as a young man and founded the Akwaaba Drumming & Dance Ensemble (often shortened to Akwaaba Ensemble) in 2002. Under his direction the ensemble has recorded albums, toured across New England, Canada and Mexico, and brought live West African drumming and dance into classrooms and community stages an outreach that is central to his mission. He and Akwaaba Ensemble have become staples of the region’s cultural scene.

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Beyond performance, Emperor T-Jiga is a committed teaching artist. Over the years he’s led thousands of workshops for students from elementary schools through college, and his arts-education work has earned him major recognition; he received the Governor’s Arts Award for Arts Education and served as New Hampshire Artist Laureate (2022–2024). His school residencies and community programs have also been supported by grants from organizations such as the National Endowment for the Arts and the New England Foundation for the Arts.

As a recording artist he performs under the Emperor T-Jiga name and runs Bam Connect Entertainment / Martey Records. His catalogue blends traditional percussion textures with contemporary Afrobeat, hiplife and reggae influences singles like Kilode, Yeloi, Sugar and Super Star show that range. His collaborations and recordings have been recognized at the Ghana Music Awards USA, where he’s received nominations and awards for categories including Best International Collaboration and Hiplife/Hip-Hop Song of the Year.

Martey is also active in Ghanaian cultural projects abroad, he is listed as a founder/organizer associated with events such as the GaDangme Music Festival, and he maintains a visible presence through Bam Connect’s social channels where he promotes new releases, tours and cultural programming. That blend of diaspora artistic leadership and grassroots cultural organizing helps explain why he’s become a bridge between communities in Ghana and the diaspora.

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What stands out about Emperor T-Jiga is the balance of artistry and service. He writes and records music that moves people while investing heavily in passing technique, history and pride to the next generation. For students who meet him in a classroom or audience members who catch a high-energy Akwaaba show, his work is less about celebrity and more about sustaining cultural memory through rhythm and movement.

On this 45th birthday we celebrate not just the awards and the records but the workshops, the school residencies, the cultural festivals and the countless lives touched by drumbeats and lessons. Happy birthday, Emperor T-Jiga may the next chapter bring more music, more students, and more moments that connect Ghana and the world.

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