Joyce Blessing, a gospel musician, has finally replied when her colleague Cecilia Marfo took a microphone from her during a concert and used it to prophesy in her life.
If Joyce Blessing wants her musical throne to be worth it, Madam Marfo advised her to return to her husband.
On January 22, 2021, this incident occurred during Unity Group of Companies’ annual thanksgiving service. The video became popular on social media shortly after that.
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Madam Marfo, who was alleged to have been consumed by the Holy Spirit, claimed that God was using Miss Blessing for His cause, but that all she needed to do now was return to her spouse.
Miss Blessing responded to this on Hitz FM’s Daybreak Hitz, saying that while she believes in predictions, Madam Marfo’s gesture was inappropriate.
She explained that the prophecy was not from God because Madam Marfo could have talked to her privately rather than seizing the microphone and broadcasting it to the entire world.
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“Sometimes you have to use wisdom when God teaches you something,” a preacher might have advised me privately. We’ve all heard prophecies… You don’t do that while individuals are going through a traumatic experience.
“I wasn’t convinced by the prophecy. God is always with us, and He is with me as well. It has nothing to do with who she is… It’s all about how and where she said it… My marriage has been discussed, but I have never spoken about it. “God can speak to me as well,” the ‘I Swerve You’ singer added.
Joyce Blessing stated that she chose not to challenge Cecelia Marfo because she had been taught not to speak back to an elderly person.
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Nonetheless, Madam Marfo apologized to Miss Blessing the next day after the event, according to Miss Blessing.
“When people are going through a terrible moment, you call them privately… you don’t do it to make a trend. She apologized and said she had no idea how things would turn out. She contacted me the next day with her husband,” she said.
Miss Blessing is presently promoting “Oluwa is Involved,” her new single.
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Ghanaian musician Emperor T-Jiga has added another major international honour to his career after winning Best Diaspora Afrobeat Artist of the Year at the 2026 Ghana Music Awards Europe in Düsseldorf, Germany.
The recognition comes after years of creating music that blends Afrobeat, highlife, hiplife, hip hop and other African musical influences while connecting audiences in Ghana and the diaspora.
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For Emperor T-Jiga, the award is a reflection of a musical journey that has produced a catalogue of songs including Kilode, Yeloi, Sugar, Super Star, Pretty Jeniki, Saka Saka and Fine Fine Lady. His music has continued to showcase his versatility as a singer, songwriter, performer, drummer, producer and teaching artist.
One of the records that has played an important role in his recent recognition is Super Star, featuring Bepor Keddi and Cabrinny Gh. The song previously earned Emperor T-Jiga the Hiplife and Hip Hop Song of the Year award at the 2025 Ghana Music Awards USA, giving him another major milestone within the Ghanaian diaspora music community.
His catalogue, however, extends beyond Super Star.
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Kilode, featuring Young Freezy, became another important record in his career and won Best International Collaboration at the 2022 Ghana Music Awards USA. The song also received a nomination for US Based Afropop Song of the Year.
Yeloi, featuring Kotey Another and Nii Funny, further demonstrated his ability to work across different sounds and collaborators. The song was nominated for Best Music Video of the Year at the Ghana Music Awards USA.
In 2023, Emperor T-Jiga released Sugar, a record influenced by the sounds of African music pioneers including Osibisa and Fela Kuti. The song was subsequently nominated for Afropop/Afrobeat Song of the Year at the 2024 Ghana Music Awards USA.
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His more recent work has continued to expand his musical identity. Awula Feefeo has been featured among his recent releases, while his official YouTube catalogue also includes Fine Fine Lady.
Beyond his recordings, Emperor T-Jiga’s musical background gives further context to his sound. He is also an accomplished drummer, dancer, producer and music educator, with a career that has involved African music and cultural education in the United States. His work with the Akwaaba Ensemble has also allowed him to combine performance, education and cultural preservation.
That combination of musicianship and cultural identity has become an important part of Emperor T-Jiga’s artistic journey. His music does not simply seek to entertain but also draws from African rhythms, experiences and influences while presenting them to audiences in the diaspora.
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His latest achievement in Düsseldorf therefore represents another step in a career that has consistently crossed geographical and musical boundaries.
Winning Best Diaspora Afrobeat Artist of the Year at the Ghana Music Awards Europe places Emperor T-Jiga among the artistes helping to carry Ghanaian music and African sounds into international spaces.
As the celebrations continue, the award adds another significant chapter to his story and provides further momentum for an artiste whose music, performances and cultural work continue to reach audiences beyond Ghana.