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4th Edition Of Ghana Events Awards & Nominees Launched

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The Chief Executive of Ghana Events Awards (GEA), Kelvin Kenneth has urged Ghanaians to watch out for the new initiative and creativity that this year’s awards would bring scheduled for 16th October, 2021 at Movenpick Ambassador Hotel in Accra.

He said the Event would bring about different activities, new categories, new location and great artistic performances which can make participants appreciate and love the event coming up soon.

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Speaking at the launch of the GEA, the CEO said though though COVID-19 pandemic affected all Event organizers, some organizers performed very well in terms of observing protocols, creativity and organizing events in the country.

In terms of selection of nominees, he said, though they were faced with challenges and difficulties, it was done in three stages by the Board members, Academy and the public/ Event organizers based on the organizations set ups, publicity, technical hitches among others compiled together.

” during the selection period, the Board members, the public or event organizers and the Academy selected the nominees based on publicity, set up and technical background among others of the organization”, he said.

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He noted that, even though GEA had previously awarded some organizations in the past three years, this year’s event has massive support from the media, sponsors and other organizations, adding, now other regions are also included in the nomination selection unlike previous when it was centered in Accra.

He added that GEA came into being to educate, support and teach Event organizers the best way to organize events and how to put in measures that would help achieve a successful events in this pandemic era in the country.

He called on Ghanaians to participate and vote for their favorite nominees using short code *365*300# on all networks.

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He further mentioned that the categories are made up of 25 and 265 nominees which includes;

  1. Best Events Venue of the year – Grand Avenue, Fantasy Dome, Underbridge, Event center, National Theatre,  Accra Int. Conference Centre, The Savannah Venue and Snap Cinema.
  2. Event Photographer of the year – Manuel Photographer, Rob Photographer and TWINS DNTBET
  3. Event DJ of the year – DJ Vyrusky, DJ Aroma, DJ PHO, DJ Wallpaper and DJ Phletch.
  4. Event MC of the year (female) – Naa Ashorkor, Shirley Tibilla ( Cookie Tee), Gloria Akpene Nyarku(Mzgee) and Berla Mundi
  5. Event MC of tho year (Male) – Albert Aggrey (Abeiku Santana), Nathaniel Attoh, Jerry Adjorlolo, Johnnie Hughes, kpakpo Maxwell Justine (KMJ) and Ibrahim Ben-Baako.
  6. Event Influencer of the Year – GH Kwaku, GH Hyper, Gamashie Blogger, Sammy Kay Media, Zionfelix, Nkonkonsa and Ronnie is Everywhere.
  7. Event Entertainer of the year- Shatta Wake, Kuami Eugene, Medikal, Diana Hamilton, StoneBwoy, KiDi and Lekzy Deconie.
  8. Regional Event of the Year –
    Western Music Awards, Bono Ahafo, Ashanti, Eastern and Central regions Awards, Wine $ Dine (Love Affairs), AMBA festival, Volta Music and Ashanti regions Awards.
  9. Youth Events of the Year- Youth Excellence Awards, Ghana Tertiary Awards, Ghana Social Media Business & Creative Arts Awards.
  10. Emerging Events of the Year – Joint 77 xperience, the Love Affairs with Pat Thomas, Upper West Creative Arts Awards, Ovatime Christmas Party, Eastern family in the park with Fameye, Time Ghana Arts and Entertainers Awards and Ghana Social Media Business & Creative Arts Awards.
  11. Events Hypeman of the Year – Berima Sean Bills, Kojo Manuel, Jay TYME, Sheldon the turn up and Abeiku Sarkcess.
  12. Best Events Security of the Year- Asuavo Security and Eye 360 security
  13. Best Company of the Year – XO-DUS Communications, Charter House, Global Media Alliance, Carbon AV, Glitz Africa, Think Mahogany and Genet Services.
  14. Best Event Setup of the Year – Drive in concert with EFYA & OMAH Lay, Radio & TV Personality Awards, Adonko Next level Virtual Launch, Vodafone Ghana Music Awards, Sarkodie Rapperholic 2020, Sarkodie Black love Concert, Rhythms on DA Runway and Exclusive Men of the Year Awards.
  15. Most Influential Events of the Year – Women in worship, Glitz Africa fashion week, Ghana DJ Awards, Vodafone Ghana Music Awards and Ghana Outstanding Women Awards.
  16. Experiential Company of the Year – OST Consult LTD, Contagion, BTL Africa, Perception MGT. LT. GH. LTD, Oxygen Plus and ESQUAN.
  17. Best Events of the Year – Ghana Women of the Year Honors, Exclusive Men of the Year Africa Awards, Women in Worship, 3 Music Awards and Vodafone Ghana Music Awards.
  18. Best Event Venue of the Year – Oasis Pool lounge, Gold Coast Bar & Restaurant, Garage Bar, Front/ Back – Accra and Bayview Village.
  19. CSR Events of the Year – COVID-19 Heroes Convert, COVID-19 Virtual Concert, GhanaFest 32nd Virtual Concert and Mask4All Charity Against COVID-19.
  20. Ghana’s Favorite Events Awards – Vodafone Ghana Music Awards, Shatta Wale Faith Concert, Asaase Sound clash, 3 Music Awards, Radio & TV Personality Awards, Ghana DJ Awards and Sarkodie Black Love Concert.
  21. Most Prestigious Events of the Year – The Experience with Diana Hamilton, Ghana CEO Summit, Ghana Women of the Year Honors, Ghana Oil & Gas Awards, Ghana Club 100, Exclusive Men of the Year Africa Awards and Ghana Outstanding Women Awards.
  22. Corporate Events of the Year – Ghana Mining Industry Awards, Chartered Inst. of Marketing Ghana Awards, Ghana Oil & Gas Awards, Ghana Business Awards, Diaspora Business Breakfast Meeting and Ghana Renewable Energy fair.
  23. Best Virtual Events of the Year – Shatta Wale Faith concert, Samini Untamed Virtual Concert, Vodafone Ghana Music Awards, Kelvyn Boy Black Star Album launch Party, Sarkodie Black love Concert, Asaase Sound clash, Exclusive Men of the Year Africa Awards, 3 Music Awards and Joe Mettle the secret Place Virtual Concert.
  24. 24.Best Events of the Year – Ghana Women of the Year Honors, Exclusive Men of the Year Africa Awards, Women in Worship, 3 Music Awards and Vodafone Ghana Music Awards.

 

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Lifestyle

ANGМU TE: NUNGUA’S HERITAGE, THE GADANGME IDENTITY AND A WORLD OF POSSIBILITIES

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As Nungua prepares to celebrate the Dzenten Festival on 1st November 2026 the world has an opportunity to rediscover a remarkable chapter of GaDangme heritage.

Some places are more than geographical locations; they are repositories of history, identity, spirituality and collective memory. Angmu Te, popularly known as the Meridian Rock, represents such a heritage for Nungua and the wider GaDangme State.

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The significance of Angmu Te extends beyond its physical presence. The Greenwich Prime Meridian, the internationally recognised reference line for zero degrees longitude, passes through Ghana’s coastal area around Tema. This geographical distinction offers Ghana a unique opportunity to connect its cultural heritage with a global landmark associated with navigation, cartography, astronomy and timekeeping.

For Nungua, the story is even more profound. Angmu Te is associated with ancestral traditions and the spiritual heritage of the land. Preserving its memory is therefore not merely about promoting a tourist attraction; it is about safeguarding a cultural inheritance that deserves to be understood, documented and transmitted to future generations.

A DAUGHTER OF THE LAND, A VISION FOR HER COMMUNITY

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Professor Goski Alabi, Vice-Chancellor of Accra Metropolitan University, deserves recognition for championing an initiative that seeks to bring renewed attention to this important heritage.

As a daughter of Nungua, her involvement presents an opportunity to connect academic research, cultural preservation, institutional collaboration and community development in pursuit of a shared goal.

Working in collaboration with the Office of the Gborbu Wulomo-Shitse, the spiritual authority and custodian of sacred traditions within the GaDangme State, the initiative seeks to give Angmu Te greater visibility and establish a stronger foundation for its recognition as a heritage site of international interest.

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The question, therefore, is not why a daughter of the land should seek to bring attention to her community’s heritage, but how Nungua can collectively support a well-researched initiative with the potential to benefit generations yet unborn.

The proposed festival is an opportunity to transform cultural memory into a platform for education, tourism, research and sustainable development.

THE SPIRITUAL DIMENSION: DJENTEN NI SHWAMOR

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Beyond its geographical importance, Angmu Te holds a place within Nungua’s traditional and spiritual heritage.

The observance is connected to the pre-festival rites known as Dzenten ni Shwamor, reflecting the cultural and spiritual traditions surrounding the site.

Year after year, the traditional authority of the Gborbu Wulomo-Shitse oversees sacred observances associated with the land. Among these is the preparation of Atobi, sacred corn sprinkled in accordance with tradition as part of the rites and their spiritual significance.

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These practices are important expressions of the relationship between the people, their ancestors, their environment and their understanding of the spiritual world.

Wor Lumor Konor Nuumo Borketey Laweh Tsuru, the Gborbu Wulomo-Shitse and Spiritual Overlord of the GaDangme State, occupies a significant traditional role in the preservation and observance of these sacred customs.

His involvement reflects the importance of ensuring that heritage promotion proceeds with due regard for the traditional custodians, established rites and cultural protocols that give Angmu Te its deeper meaning.

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The objective is to bring the spiritual, historical, academic and tourism dimensions together in a manner that respects tradition while opening new possibilities for the future.

WHY THE WORLD SHOULD PAY ATTENTION

The ambition to secure international heritage recognition for Angmu Te deserves serious consideration. Although UNESCO World Heritage inscription is a process requiring rigorous assessment against established criteria, authenticity, protection and management requirements, the pursuit itself can encourage valuable research, conservation and public engagement.

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A successful heritage-development programme could create several opportunities for Nungua and Ghana, including:

– Tourism and international visibility: Attracting visitors, researchers, historians, cultural enthusiasts and international heritage organisations.
– Employment and local enterprise: Creating opportunities for tour guides, hospitality businesses, artisans, food vendors, transport operators and other local entrepreneurs.
– Youth education and cultural continuity: Helping young people understand GaDangme history, traditional institutions and ancestral heritage.
– Research and documentation: Encouraging universities, historians, archaeologists and cultural experts to investigate, document and preserve the story of Angmu Te.
– Investment and community development: Creating opportunities for partnerships, cultural infrastructure and responsible tourism.
– National and continental pride: Positioning Ghana and Africa more prominently in conversations about the preservation of indigenous heritage and the importance of African cultural knowledge.

These possibilities are worth exploring through careful planning, community participation and sustained collaboration.

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A FESTIVAL BUILT ON PREPARATION AND COLLABORATION

The Dzenten Festival is not simply an occasion to gather, celebrate and disperse. It is an opportunity to give renewed life to a heritage story that deserves wider recognition.

Behind an initiative of this nature are research, consultations, institutional engagement, cultural preparation and the work required to bring diverse stakeholders around a common purpose.

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The collaboration between Accra Metropolitan University and the Office of the Gborbu Wulomo-Shitse provides a platform for combining academic expertise with traditional knowledge. Such partnerships can help ensure that cultural promotion is informed by research, respectful of customary authority and beneficial to the community.

Nungua’s traditional institutions, including Oboade Notse King Odai Fio Welentsi III, the Nungua Mantse and President of the Greater Accra Regional House of Chiefs, alongside other traditional authorities and community stakeholders, have important roles to play in the broader conversation about preserving and promoting the area’s heritage.

The wider GaDangme traditional leadership also has an opportunity to support an initiative that can bring attention to the history, identity and cultural contributions of our people.

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The participation and engagement of stakeholders can strengthen the festival’s impact and help ensure that its benefits extend beyond a single day.

THE GBORBU WULOMO-SHITSE: CUSTODIANSHIP AND COMMUNITY PROGRESS

Wor Lumor Konor Nuumo Borketey Laweh Tsuru, the Gborbu Wulomo-Shitse, represents a traditional institution whose responsibilities include the preservation of sacred customs and the protection of the spiritual heritage entrusted to it.

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His involvement in this initiative should be understood within that context: the advancement of heritage preservation, the recognition of traditional knowledge and the pursuit of opportunities that can benefit Nungua and the GaDangme State.

Tradition and development need not stand in opposition. When handled with mutual respect, they can reinforce each other, ensuring that progress does not erase identity and that heritage remains relevant to contemporary society.

This is the opportunity before Nungua: to demonstrate that its ancestral heritage can be preserved with dignity while serving as a foundation for education, tourism, cultural exchange and economic opportunity.

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1ST NOVEMBER 2026: A DATE TO ANTICIPATE

If you have not experienced the excitement of seeing your community’s heritage receive wider attention, 1st November 2026 presents a reason to look forward with anticipation.

The Dzenten Festival offers an opportunity to bring together traditional leaders, academics, cultural practitioners, dignitaries, residents and visitors from near and far in celebration of a heritage that belongs to Nungua and forms part of Ghana’s broader cultural story.

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Imagine the possibilities when the history of Angmu Te is researched more deeply, its traditions are documented, its story is shared with the world and younger generations are encouraged to take pride in their inheritance.

That is the greater promise of this initiative.

The objective is not merely to organise a festival; it is to build a lasting platform for heritage recognition, cultural education and community advancement.

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Let us therefore approach this historic undertaking with open minds, a shared sense of responsibility and a commitment to preserving what generations before us have entrusted to our care.

Nungua has a story worth telling. The GaDangme State has a heritage worth protecting. Ghana has a cultural legacy worth presenting to the world. And Africa has traditions whose significance deserves to be understood far beyond its shores.

Angmu Te is more than a rock. It is a reminder that our heritage carries stories capable of connecting our past to our future.

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On 1st November 2026, let us celebrate that story, strengthen our collective commitment to its preservation and work together to ensure that the legacy of Nungua continues to shine.

DJENTEN FESTIVAL 2026 — PRESERVING OUR HERITAGE, CELEBRATING OUR IDENTITY, INSPIRING OUR FUTURE.

The story of Nungua belongs to its people. Its preservation is our shared responsibility.

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Written by Elliot Borketey Bortey (EBB)

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