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Kinaata and Naana Blu’s Amapianos; a befitting end to 2021

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Kofi Kinaata ended the year 2021 with an attempt at the trending Amapiano with a new tune called ‘Wo Pre’. The song ‘Wo Pre’ is a thrilling track with a captivating tale. The song is about those that live under false pretenses, or what is referred  to as “Fake Life” on social media.

Kofi Kinaata – Musician

Kofi Kinaata – Wo Pre:

Naana Blu who is sometimes referred to as the female version of Kofi Kinaata started the Amapiano experiment called ‘Nam Pa Amapiano’. The song ‘Nam Pa Amapiano’ is a reflective song designed to provide an escape from lives of modern-day chaos with a hook that takes you back into time. The single blends a happy highlife melody with a classy amapiano instrumentation. The instrumental melody and tempo are hypnotic and Naana Blu’s vocal performance is just magical.

NaaNa Blu – Musician

Naana Blu – Nam Pa Amapiano:

Naana Blu and Kofi Kinaata are noted for majoring in Highlife music so their fans are asking if it is a sign that they are leaving the Ghanaian Genre.

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Both songs were produced by the award-winning producer from the Western part of Ghana, WillisBeatz. Nam Pa Ampiano is a remix of Naana Blu original song called Nam Pa.

Watch:

 

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Written By: Ewurama Boateng

Source: Sintim Media

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Multiple Award Winning Travel & Celebrity Blogger | Teacher | Geographer | Writer| Publicist | PR Expert| Editor | Artistes Promoter| Talent Manager | Digital Marketer | Social Media Consultant | Web Entrepreneur | CEO of Sintim Media |

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Entertainment

Nee Oseye Ade Leke honoured at Sania Awards and Gala 2026

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Ghanaian musician Nee Oseye Ade Leke has been honoured at the 2026 Sankofa African Network Impact Awards and Gala for his three decades of contribution to music, creative expression and community service.

The veteran artiste was recognised at the ceremony held on Saturday, September 19, 2026, at Divine Word Event Place in Woodbridge, Virginia, where individuals and groups making notable contributions to the African community were celebrated.

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Organised by the Virginia-based Sankofa African Network, the annual Sania Awards and Gala seeks to celebrate leadership, creativity, service and community impact while strengthening connections among Africans and the wider African diaspora.

For Nee Oseye Ade Leke , the recognition adds another chapter to a career that has spanned about three decades and has been closely connected to Ghanaian and Ga-Dangme
cultural expression.

He has built a reputation around music that draws from African rhythms, highlife and contemporary sounds while maintaining a connection to his cultural roots. His catalogue includes songs such as “Ootse Ntsui”, “Why”, “Babalomia”, “Hello Sunshine” and “Call Am for Me”. His music is available across major streaming platforms, with “Babalomia” emerging as one of his most recognised recent releases.

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His commitment to Ga-Dangme music has also been evident in his recent work. In May 2026, he released “I Dey Think About You”, a collaboration with Red Eye Nature. The song is a recreated version of a classic originally performed by Lonely Lamptey and the African Stars, and was presented as an effort to reconnect younger audiences with Ghana’s musical heritage.

The artiste’s recent awards run has further highlighted his continued relevance in the music industry. In August 2026, he was named Highlife Artiste of the Year at the Ghana Music Awards USA 2026. His song “Babalomia” was also nominated for Highlife Song of the Year and Best International Collaboration, the latter for his collaboration with Skrewfaze.

The Highlife Artiste of the Year recognition follows his 2024 success at the Ghana Music Awards USA, where he was crowned Male Artiste of the Year.

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His presence has also extended into Ghanaian music award circuits in the diaspora. He was listed among nominees for categories including Best Diaspora Highlife Artist of the Year and Best Diaspora Hiplife-Pop Artist of the Year at the Ghana Music Awards Europe.

Beyond the awards, Nee Oseye Ade Leke’s recent releases show an artiste continuing to explore contemporary music while preserving elements of Ghanaian cultural identity. His recognition at the Sania Awards therefore places emphasis not only on his music but also on the broader impact of his three decades of creative work and community service.

The honour in Virginia adds to a growing list of recognitions for an artiste whose career continues to connect Ghanaian music, culture and the African diaspora.

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